Your destination for antiques, art, collectibles and more.

 

 

Keeping you updated with news and information from the world of antiques, vintage and collectibles, so please come and visit often!

RARE Gray VTG Set Roseville Art Pottery GARDENIA Basket & Small Elfers Vases RARE Gray VTG Set Roseville Art Pottery GARDENIA Basket & Small Elfers Vases RARE Gray VTG Set Roseville Art Pottery GARDENIA Basket & Small Elfers Vases

RARE Gray VTG Set Roseville Art Pottery GARDENIA Basket & Small Elfers Vases

Antiques

RARE Gray VTG Set Roseville Art Pottery GARDENIA Basket & Small Elfers Vases

Vintage

RARE Gray VTG Set Roseville Art Pottery GARDENIA Basket & Small Elfers Vases

Estate Auctions Inc #YQZ

themed_object
Your Quality Zone
Bookmark and Share
follow me on facebook tweet me
get in touch

RARE Gray VTG Set Roseville Art Pottery GARDENIA Basket & Small Elfers Vases

March 7, 2015 by Estate Auctions Inc.

RARE Gray VTG Set Roseville Art Pottery GARDENIA Basket & Small Elfers Vases
RARE Gray Purple Coloring~ One Basket & 2 Vases Auction Ending March March 16, 2015 10:58 EST Http://yqz.me/rare_roseville

RARE Roseville Gardenia Pattern In Gray ~ Unusual to find a match set in this great condition

3 Piece Set ~ Includes Basket and 2 Vases

RARE Gray VTG Set Roseville Art Pottery GARDENIA Basket & Small Elfers Vases yqz

RARE Gray VTG Set Roseville Art Pottery GARDENIA Basket & Small Elfers Vases yqz

Gray to Purple color

Gardenia Pattern. Basket #610-12″ Vases #682-6

Fantastic look. Great ovrall conditoin. Not conidition issues noted

Basket measures approx. 11-1/4″ x 8-1/4″, Vases are approx. 6″ tall

What a fantastic set!

Check out our photos to the left! We do our level best to get it right, but a second set of eyes never hurts.

1899 Antique Folk Art Notre Dame Cathedral Gothic Hand Carved Wood Model yqz WOW! Truly Spectacular!

January 25, 2015 by Estate Auctions Inc.

1899 Antique Folk Art Notre Dame Cathedral Gothic Hand Carved Wood Model yqz
WOW! Truly Spectacular! Auction Ending 2/3/15, 10:26PM EST http://yqz.me/notre_dame

We have an antique, circa 1899, folk art wooden model of the renowned French architecture, Notre Dame Cathedral. Each wooden trim and pillar is

1899 Antique Folk Art Notre Dame Cathedral Gothic Hand Carved Wood Model

1899 Antique Folk Art Notre Dame Cathedral Gothic Hand Carved Wood Model

nicely hand-carved and fitted, all made from scratch, with no indicators of a ready made kit! It’s not hard to see the time, effort, and love that went into making this detailed masterpiece. Even the rose windows are ornately applied, made from what appears to be a shiny, sheet like material, adorned with paint to mimic the ornate design of cathedral windows. Each molding and frame creating the two towers, pinnacles, arcades, and gables are original wood. In addition, the beautiful and famous west facade of Cathédrale Notre-Dame de Paris has several miniature clay figurines attached to the plinth- there’s a priest, and several Frenchmen in period attire.

The cathedral is on a wooden plinth, measuring at approx. 11.75 x 18.25 x 9.75,” and the cathedral itself measures at approx. 12″ h x 10″ w; weighing a sturdy 5.8 pounds! There are places of wood glue formation or solidification, the tips of the pinnacles are chipped off, wear of the wood is apparent, and its apparent that some of the clay figures have detached, with one chipped off. Otherwise, a truly amazing folk art piece. You won’t be disappointed with this Notre Dame miniature scale wooden model! Happy Bidding!

Antique Hallmarked Dutch Sterling Silver Heart Locket Pendant Cherub Crown

January 8, 2015 by Estate Auctions Inc.

Hallmarked Dutch Sterling Silver Heart Locket Pendant~Cherub~Crown

Hallmarked Dutch Sterling Silver Heart Locket Pendant~Cherub~Crown

Antique Hallmarked Dutch Sterling Silver Heart Locket Pendant~Cherub~Crown
Ending January 16, 2015 10:12PM EST http://yqz.me/AntiqueLocket
An absolutely gorgeous, nineteenth century solid silver hallmarked (we believe to be Dutch or possibly French) large, ornate hinged heart pendant or pill box with beautifully embossed repousse work on both the front & back, to include – a winged angel face, an un-monogrammed cartouche and a crown pediment composed of reticulated & embossed leaves. It measures an impressive 3-5/16” high overall (to the top of the ring) x 2-3/8” wide x 7/8” deep and weighs 42.8 grams. The heart is hinged on the back and opens to reveal a compartment which could be used as a pill box. There is a touchmark/hallmark on the front rim (worn from age & use) which appears to be a stylized leaf (?) and a sideways letter G (see close-up). The condition is excellent with no dings, bends, breaks, touch-ups or repairs, only light surface wear to the patina from gentle use. Very fine quality and beautifully made with lovely detail work. A fabulous antique silver box that’s a pendant which can be worn around the neck. It’s fresh from a home on Maryland’s Lower Eastern Shore.

Antique Scientific Equipment Laboratory Vacuum Pump Bell Jar Scientific Hobunkwan

December 14, 2014 by Estate Auctions Inc.

Antique Scientific Equipment Laboratory Vacuum Pump Bell Jar Scientific Hobunkwan Auction Ending 12/22/14 http://yqz.me/Hobunkwan

Antique Scientific Equipment  Laboratory Vacuum Pump Bell Jar Scientific Hobunkwan

Antique Scientific Equipment Laboratory Vacuum Pump Bell Jar Scientific Hobunkwan

Early 1900’s, mahogany and brass single arm vacuum pump with a name plate for Hobunkwan, Osaka. It has a mahogany base board situated on mahogany feet. It has a turned column for the iron pump arm and a brass piston casing. A series of tubes feeds to a 8 1/2″ diameter brass plate with a frosted glass top. It has a hand-blown glass bell jar with lots of bubbles. There is a hook inside of the dome, also made of glass. It measures at approx. 29 1/2″ tall x 28 1/2″ long x 9 3/4 deep. This is a solid, heavy piece. There are places of wood rubbing, mahogany wood chipping, and wear on the metals and cast iron handle. Oxidation and signs of well use on the brass piston casing. The glass bell jar is in great condition. Please make sure to check all of our photos. Overall nice antiquated laboratory equipment. Happy Bidding.

Fabulous Line Up of Currier & Ives Hand Painted Lithographs

December 14, 2014 by Estate Auctions Inc.

At a recent Estate Sale we came across a HUGE collection of Currier & Ives lithographs; an amazing attic find to say the least. We are offering up this veritable mountain of treasures in separate auction for you bidding pleasure. GOOD LUCK and HAPPY BIDDING! http://yqz.me/Currier&IvesHandPaintedLithographs

Currier & Ives Lithograph Mama's Pet

Titled: Mama’s Pet
Publication Date: 1857-1872
Published by: Currier & Ives: 152 Nassau Street NY
Size: Medium folio 9 1/4 x 13 5/8″
Frame: Original period frame crafted with square nails and wavy glass with bubbles
Size with frame: 13 5/8 x 16 5/8″


Your inquiries are welcome!

For those not familiar with Currier & Ives or perhaps just curious about them, here is a little history from Wikipedia:

Currier and Ives was a successful American printmaking firm headed by Nathaniel Currier (1813–1888) and James Merritt Ives (1824–1895). Based in New York City from 1834–1907, the prolific firm produced prints from paintings by fine artists as black and white lithographs that were hand colored. Lithographic prints could be reproduced quickly and purchased inexpensively, and the firm called itself “the Grand Central Depot for Cheap and Popular Prints” and advertised its lithographs as “colored engravings for the people.”

The name Currier & Ives first appeared in 1857, when Currier invited James Merritt Ives (1824–95), the company’s bookkeeper and accountant, to become his partner. James Merritt Ives, who was born on March 5, 1824 in New York City, married Caroline Clark in 1852. She was the sister-in-law of Nathaniel’s brother, Charles Currier, and it was Charles who recommended James Ives to his brother. Nathaniel Currier soon noticed Ives’s dedication to his business and his artistic knowledge and insight into what the public wanted. The younger man quickly became the general manager of the firm, handling the financial side of the business by modernizing the bookkeeping, reorganizing inventory, and streamlining the print process. Ives also helped Currier interview potential artists and craftsmen. The younger man had a flair for gauging popular interests and aided in selecting the images the firm would publish and expanding the firm’s range to include political satire, and sentimental scenes such as sleigh rides in the country and steamboat races. In 1857, Currier made Ives a full partner.

Titled: My Little White Kitties  Publication Date: 1857-1872  Published by: Currier & Ives: 152 Nassau Street NY Size: Medium folio 13 3/4 x 9 1/4"

Titled: My Little White Kitties
Publication Date: 1857-1872
Published by: Currier & Ives: 152 Nassau Street NY
Size: Medium folio 13 3/4 x 9 1/4″

The firm Currier and Ives described itself as “Publishers of Cheap and Popular Prints”. At least 7,500 lithographs were published in the firm’s 72 years of operation. Artists produced two to three new images every week for 64 years (1834–1895), producing more than a million prints by hand-colored lithography. For the original drawings, Currier & Ives employed or used the work of many celebrated artists of the day including J.F. Butterworth, George Inness, Thomas Nast, C.H. Moore, and Eastman Johnson. The stars of the firm were Arthur Fitzwilliam Tait, who specialized in sporting scenes; Louis Maurer, who executed genre scenes; George H. Durrie, who supplied winter scenes; and Fanny Palmer, who liked to do picturesque panoramas of the American landscape, and who was the first woman in the United States to make her living as a full-time artist. All lithographs were produced on lithographic limestone printing plates on which the drawing was done by hand. A stone often took over a week to prepare for printing. Each print was pulled by hand. Prints were hand-colored by a dozen or more women, often immigrants from Germany with an art background, who worked in assembly-line fashion, one color to a worker, and who were paid $6 for every 100 colored prints. The favored colors were clear and simple, and the drawing was bold and direct.

Chinese 1600’s Qing Kangxi Hawthorne Plum Prunus Blue White Porcelain Vase

June 20, 2014 by Estate Auctions Inc.

Chinese 1600’s Qing Kangxi Hawthorne Plum Prunus Blue White Porcelain Vase yqz
18 in Tall Ex Museum Collection Bergen Auction Ending (Jun 30, 2014 18:32:01 PDT) http://yqz.me/Vase_Chinese_1600

China, late 1600’s early 1700’s. Qing Kangxi Hawthorne Plum Prunus Blue White Porcelain Vase Ex Museum Coll. Bergen. Of baluster form with a very

Chinese 1600's Qing Kangxi Hawthorne Plum Prunus Blue White Porcelain Vase

Chinese 1600’s Qing Kangxi Hawthorne Plum Prunus Blue White Porcelain Vase

high rounded shoulder and straight tapering body to a hidden footring, the mouth relatively wide and with a flaring rim. The body covered with a cracked ice pattern reserving prunus branches and blossoms. Base marked with a double blue ring. Kangxi period, 1662 – 1722. Ex Collection Munthe and formerly in the Vestlandske Kunstindustrimuseum (West Norway Museum of Applied Art), Bergen, Norway. The collection of the General Johan Wilhelm Normann Munthe (1864 – 1935) and by descent through the family, sold previously in the 26OCT01 sale of the Munthe Collection . found in a museum publication – “The largest collection of Chinese art in Norway numbers some 2,500 items in the fields of sculpture, painting, bronzes, jades, ceramics and textiles …. magnificent collection is the work of General Johan Wilhelm Normann Munthe who spent most of his life in China from 1886 – 1935. His career was both adventurous and impressive starting in the International Maritime Customs Service at the age of 22 and culminating in his position as a Chinese general and trusted advisory to Yuan Shikai, the first president of the New Republic of China {self proclaimed Emperor Hongxian}. Shabby Chic Condition with Damage to the neck may require more professional restoration. Clean breaks (see photos). It measures approx. 17 1/2″ tall.

For those not familiar with Anthony Lee here is his bio: Anthony M. Lee is an institutional, market and collection consultant specializing in the arts of China, Japan, Korea, Himalayan Kingdoms, South and Southeast Asia. Starting as a salesperson at age 14 in Chinese antiques in a family business, he went on to university studies in Asian arts, as well as receiving his licenses in tea ceremony, with further studies of ceramics and religious art over eight years in Japan. For several years he was an associate dealer with Sotheby’s online site and consultant with various auction houses and museums. Anthony has acted as consultant to over 20 museums, government agencies and trusts including the largest museums in Canada and the US, as well as major collectors, dealers, insurance and transportation companies worldwide.

He is considered by many to be one of the foremost experts in the world in Asian Art & Artifacts.

Anthony Lee started a website ages ago called Asianart. It is a place to post photos of your items and have experts identify them for you. (You can still post things there and folks will help you.) He no longer moderates it and identifies things for us as here on eBay as an old friend.

Great Piece of American History

June 17, 2014 by Estate Auctions Inc.

Antique Wood Magic Lantern Slide Lot/Boxed Set American History/Americana
We Have NEVER Run Across A Find Like This! Auction Ending Jun 23, 2014 18:50:01 PDT http://yqz.me/Magic-Lantern-Slide

In this auction we have an amazing find, and we are plum excited to offer it to you! Here we have a LARGE LOT (29 in all) of late 19th century wood

http://yqz.me/Magic-Lantern-Slide  Antique Wood Magic Lantern Slide Lot

http://yqz.me/Magic-Lantern-Slide Antique Wood Magic Lantern Slide Lot

framed Victorian magic lantern slides with the theme of American History in their original wooden case/box. These include some absolutely beautiful Americana scenes that are encased in wooden (possibly mahogany) frames. Some of the metal rings have gathered some discoloration to the finish/patina. Each of these wonderful vignettes of American history are shown from a Victorian perspective. This collection is a wonderfully patriotic American narrative. This was likely used as a teaching tool as the final slides show family life preserved by the previous acts of war; the schoolyard with happy and healthy children; proud Columbia with sword and flag; and finished up by the U.S. Flag. these are all in overall good condition and have been kept in their wood box. The paper labels have all but worn away over time with love and use. It appears that many years ago someone numbered them , what they thought, was chronological order (although a few seem out of sequence to us). We are going to list them as numbered below with a brief description and condition report. Each measures approx. 7″ x 4″ x 3/8″. The glass measures 3 1/4″ across. THe hinged box measures approx. 14 3/4″ x 6″ x 9 1/2″. The condition of the slides is quite good,
The Mayflower On Open Seas  http://yqz.me/Magic-Lantern-Slide  Antique Wood Magic Lantern Slide

The Mayflower On Open Seas http://yqz.me/Magic-Lantern-Slide Antique Wood Magic Lantern Slide

with only a few exceptions. Overall this collection is in really nice, but quite scarce!

1. Landing Of Columbus ~ some background color loss on the reverse side noticeable when tilted but not noticeable from the front
2. The Mayflower On Open Seas
3. Pilgrims Atop Plymouth Rock
4. Revolutionary War / Colonial Battle Scene
5. Another Revolutionary War / Colonial Battle Scene~ this one has some uniform spotting on the glass
6. George Washington Full Length Portrait
7. George Washington Crossing The Delaware ~ some loss of color on the American Flag
8. George Washington Praying On Bended Knee In A Wooded Landscape
9. Revolutionary War Battle Scene
10. Another Battle Scene
11. Revolutionary War Battle of Monmouth Scene Of Molly Pitcher
12. Another Battle Scene
13. War of 1812 Battle Scene
14. ANother War of 1812 Battle Scene
15. Revolutionary War Battle Scene
16. Naval Battle Scene ~ some discoloration on the left side
17. Battle Of New Orleans 18. Portrait of Abraham Lincoln
19. Burning a Naval Fort ~ some discoloration on the left corner and right side
20. Abraham Lincoln Addressing A Throng of Onlookers
21. Civil War Battle Scene With Tattered American Flag
22. Union & Confederate Soldiers Shaking Hands Over A US Flag
23. Battle of The Alamo (?)
24. Naval Battle Scene
25. Blowing Up A Battleship (Possibly the Maine?)
26. Soldier Returning Home From The War / Greeted By His Family
27. Substantial Two-Story Brick Schoolhouse with Children In The Schoolyard
28. Columbia with Sword Standing Atop A Rock With AMerican Flag
29. U.S. Flag Blowing In The Breeze (split in the wood)

If you have any information on anything listed above, please do not hesitate to share. We love to learn and would love to share your wisdom with everyone else. Good Luck!

HUGE Antique Art Nouveau Nude Figural Bronze Lamp

April 10, 2014 by Estate Auctions Inc.
http://yqz.me/Antique-nude-lamp

http://yqz.me/Antique-nude-lamp

HUGE Antique Art Nouveau Nude Figural Bronze Lamp Leaded Glass Globe 207 Pcs yqz

After Gustav Gurschner Amazing And Unique Lamp

Now this is an interesting piece! It is a LARGE antique figural nude lamp made of bronze with a leaded glass shade/globe that rests over the bulb socket. The base of this lamp is quite different than most we see. It features 3 nude figures, 2 women and 1 man. The women are displayed most prominently at both the bottom an top. The lady at the bottom is hanging on to a sheet that is being stretched into the air and has a look of pain or lust on her face as she stares at the other 2. The lady at the top is pulling the sheet upward and opens it wide. The man is hanging on to her by the backs of her thighs. The open sheet creates a cradle for the beautiful leaded stained glass shade. The shade itself is made up of 207 individual pieces of glass with 3 red glass balls for the goldfishes eyes. This lamp just keeps giving and giving with it uniqueness and design. We were able to attribute this to the famous Gustav Gurschner (we are including a bit of info on him at the end). This carries through with all of his tones and mannerisms. The only difference is that this piece is not signed. Please make sure you check out all of the pictures of this amazing piece. I could go on all day and not tell it all! It measures approx. 32″ x 9 1/2″ x 9 1/2″. The shade measures approx. 7″ tall and 7″ across. Good Luck!

Hey folks, guess what? We are doing FREE shipping on this one, anywhere in the Continental U.S. How about that?

We found the following on Wikipedia:

Gustav Gurschner (1873–1970) was an Austrian sculptor active in the decorative arts.

He studied under August Kühne and Otto König at the Kunstgewerbeschule in Vienna. He married the writer Alice Pollak in 1897. In 1898, he participated in the inaugural exposition of the Vienna Secession. From 1904 to 1908, he was part of the Hagenbund, a group of like-minded Austrian artists.

His body of work consists of functional objects such as ashtrays, electric lamps, door knockers, and doorknobs. Gurschner’s style was influenced by the sinuous lines of Art nouveau and the symmetry of the Wiener Werkstätte.

Orginal Itzchak (Isaac) Tarkay 1935-2012

February 4, 2014 by Estate Auctions Inc.

Up on auction ORIG Itzchak (Isaac) Tarkay 1935-2012is an original Itzchak “Isaac” Tarkay (1935-2012) Acrylic on Canvas painting of two women lounging in a parlor.  Signed in the bottom left corner.  The colors are stunning.  This was acquired at Bodnar’s Auction Sales, prior to that we have no provenance.  We have studied this, very closely and would date this piece to late 1990’s to early 2000’s.  It measures approx. 29 7/8″ x 23 7/8″, framed approx. 37″ x 31″.    We found the following bio on AskArt:

Itzchak (Isaac) Tarkay  (1935 – 2012)
Lived/Active: Serbia/Israel      Known for: landscape and female figure painting

Itzchak Tarkay was born in 1935 in Subotica on the Yugoslav Hungarian border.  When he was only nine years old, the Nazis sent Tarkay to Mathausen concentration camp.  After the war, he returned home and developed an interest in art.  While still at school in Subotica, he won a prize for excellence in painting.

In 1949 he and his family immigrated to Israel and were sent to a transit camp for new arrivals at Beer Ya’akov.  Their next two years were spent in a Kibbutz.

In 1951, Tarkay received a scholarship to the Bezalel Art Academy in Jerusalem, where he studied for a year before having to leave due to difficult financial circumstances at home.  In order to continue his scholarship, he was allowed to study under the artist Schwartzman until his mobilization to the Israeli army.  After returning to the familiar environment of Tel Aviv, Tarkay enrolled in the Avni Institute of Art, which he graduated in 1956.  His teachers there were Mokady, Janko, Schtreichman and Sematsky.

Tarkay has since exhibited extensively both in Israel and abroad, and his works can be found in many public and private collections.

Tarkay focuses on the female figure by using simplicity of form and line, along with a rich palette not unlike Toulouse-Lautrec, to create sensitive portraits of elusive ladies.

The following two paragraphs were excerpted from a biography on parkwestgallery site (His dealer )  (Great Site!):

In the later years of his life, Tarkay shared his gifts by mentoring younger Israeli artists including, David Najar, Yuval Wolfson and Mark Kanovich who often visited his studio, worked alongside him and received his critiques. Tarkay was also the only artist to collaborate with Israeli master, Yaacov Agam (1928). He and Agam created two paintings which incorporated both artists’ imagery in a single painting.

Tarkay spent between five and six hours each day in the studio, six days a week. While he had very little free time, he enjoyed going to concerts, reading books and listening to music, and visiting friends. Tarkay expressed how much he enjoyed meeting his collectors and his happiness to work with the other artists when working with Park West. He felt no sense of competition with them – only love – and was proud to have such a wonderful relationship with the artists, collectors, and gallery

back to top