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1913 Junghans Westminster Mahogany Bracket Shelf Clock 1913 Junghans Westminster Mahogany Bracket Shelf Clock 1913 Junghans Westminster Mahogany Bracket Shelf Clock

1913 Junghans Westminster Mahogany Bracket Shelf Clock

Antiques

1913 Junghans Westminster Mahogany Bracket Shelf Clock

Vintage

1913 Junghans Westminster Mahogany Bracket Shelf Clock

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1913 Junghans Westminster Mahogany Bracket Shelf Clock

January 18, 2015 by Estate Auctions Inc.

Antique 1913 Junghans Westminster Mahogany Bracket Shelf Clock A13 Mark
Superb WORKING Condition STUNNING CLOCK 102 Years Old!! Ending January 26, 2015 11:02PM EST http://yqz.me/Westminsterclock

Up in this auction is an amazing estate find. A 1913, (movement marked A13 which is code for the first half of 1913), westminster bracket clock with an exquisite mahogany case, arched beveled glass door. It has a 5 rod chime system. It has the key and pendulum and we did have it up and running

1913 Junghans Westminster Mahogany Bracket Shelf Clock A13 Mark

1913 Junghans Westminster Mahogany Bracket Shelf Clock A13 Mark

just prior to listing. Except for some rubs to the face it is absolutely drop dead gorgeous. It measures approx. 11″ x 8″ x 14 1/2″ high. GOOD LUCK!!

For those not familiar with Junghans, here is their history off of the clockguy site on the internet (GREAT SITE!!):

Gebr Junghans Uhrenfabrik was established by Erhard Junghans with Franz Xaver in 1861 in the Black Forest, making parts for clocks. Erhard Junghans (1823-70) originally followed in his father’s footsteps working as a designer in an Schramberg porcelain factory in the Black Forest.

By 1861, Erhard Junghans had set aside capital to start his own business producing accessories for clocks and subsequently complete clocks. He enlisted his brother Xaver, a cabinetmaker then living in America, to acquire the assembly-line machinery for making clock parts. Once the factory and the equipment were set up, Gerhard focused on running the business, his brother Xaver lead the production of clock cases and a professional clockmaker was hired to oversee the production of movements. After Erhard’s death in 1870, the company was run by his sons Arthur and Erhard Jr.In 1866 the Junghans brand was established and by 1870 they were producing 100 clocks per day. In 1870 Arthur Junghans, son of the founder took over and the company went ahead rapidly.

Following the registration as early as 1877 of the first factory trademark, “eagle with flag”, the JUNGHANS trademark, a clock cogwheel fashioned into a eight-pointed star, became the brand symbol in 1890. Three years later, the millionth timepiece was produced. In 1903 JUNGHANS was the largest clock-maker in the world. They were well-known for producing a wide variety of clocks. The company further expanded over years merging with other well-known German clockmakers including Lenzkirch, Thomas Haller and Gustav Becker.

Antique DUTCH Locking 5 Drawer Footed Medicine Chest Cabinet Doric Columns

January 17, 2015 by Estate Auctions Inc.

Antique DUTCH Locking 5 Drawer Footed Medicine Chest Cabinet Doric Columns yqz
Adjustable Shelf ~ Hand Carved ~ Porcelain Labels Auction Ending January 26, 2015 10:40PM EST
http://yqz.me/MedicineChest
Antique Wooden Medicine Chest

*Dutch Made, Huisapotheek is the Dutch word for a cabinet like this

Antique DUTCH Locking 5 Drawer Footed Medicine Chest Cabinet Doric Columns yqz Adjustable Shelf ~ Hand Carved ~ Porcelain Labels

Antique DUTCH Locking 5 Drawer Footed Medicine Chest Cabinet Doric Columns yqz
Adjustable Shelf ~ Hand Carved ~ Porcelain Labels


*Dating this from the late 1800’s to early 1900’s by similar items found online and taking into account construction
*1 Long and 4 Short drawers in the bottom with an adjustable shelf above
*Porcelain labels on drawer fronts and on the top of the door
*Locking cabinet. Sorry, we do not have the key, but it appears to be a skeleton key
*Doric columns flank the locking door framing the carved center
*Key hale has a brass plate with Dutch decorations
*Measures approx. 21″ x 15-1/2″ x 7-3/4″
*Footed base

Antique Haitian Art Enhances Home Décor

January 9, 2015 by Estate Auctions Inc.

Haitian antique art offers a perspective of life that is appealing and stylized.
HUGE selection of Haitian Art from universities, private collections and museums up for Auction in June 2014 http://yqz.me/Haitian-Art

Haitian Art offers a vivid insight into the history and beliefs of Haiti and the everyday survival of their people. Despite the hardships and

Haiti Folk Art RARA Haitian Parade Portrait Watercolor Painting SIGNED

Haiti Folk Art RARA Haitian Parade Portrait Watercolor Painting SIGNED

political strain suffered by this country, Haiti remains a wellspring of originality, creativity and imagination with a uniqueness involving cultural, political, social, economic and religious phenomena. So often when individuals think of Haiti, they think of a lot of things that aren’t so delightful, such as poverty and others stereotypes of Haiti but there are some very talented, creative people. Haitian art has so much spirit and liveliness. The stories behind them are fascinating and carry so much insight into their culture. Haiti is the poorest country in the Western Hemisphere and yet look at the visual output under extreme conditions, makes their art even more amazing. Beginning a Haitian art collection can seem intimidating but their stunning, vibrant colors captures the heart and ambiance of Haiti.

An avid art collector Richard B Flagg has a great description of Haitian Artist, “The true Haitian master doesn’t paint by giving a lot of thought to what he is doing. He paints from the heart, not the intellect, and subconsciously draws on a rich fund of memories and feeling. It doesn’t matter to him that the figures in his painting are twice as large as the house they came out of since it the people, not the house that he wants to emphasize.”
At the end of February we went to a HUGE university/private collection/museum deaccession sale. (That is where museums, universities and private collectors quietly dispose of items that they have had in their archives to make room for more or to raise money.) Over the next few weeks we are going to list the items from that sale.

RARE 1788-1836 Antique Ephrata Cloister LANCASTER Co. Pennsylvania Ledger

January 9, 2015 by Estate Auctions Inc.

RARE 1788-1836 Antique Ephrata Cloister LANCASTER Co. Pennsylvania Ledger
Laid Paper from Ephrata Cloister -OVER 225 Years Old!! Ending January 18, 2015 Http://yqz.me/EphrataCloister

In this auction, we have a Pennsylvania Manuscript ledger kept by local farmer of Lancaster County Pennsylvania. It is recorded with hand-written entries; primarily from the 1788-1836.The ledger has a total of approx. 25-30 pages that are filled with accounts. The accounts for each customer are listed and updated for years. This ledger is a valuable genealogical resource with many families and business patrons listed.

RARE 1788-1836 Antique Ephrata Cloister LANCASTER Co. Pennsylvania Ledger Laid Paper from Ephrata Cloister -OVER 225 Years Old!!

RARE 1788-1836 Antique Ephrata Cloister LANCASTER Co. Pennsylvania Ledger
Laid Paper from Ephrata Cloister -OVER 225 Years Old!!

The ledger is made at the Ephrata Cloister using laid paper watermarked CB, (Christian Bauman). It is marked with understandable wear from the business of the farmer. It measures approx. 12.5 x 8.25 x 0.75.” There pages in the ledger book is intact and binding is still good considering it’s over 225 years old! There is foxing and toning on the pages, and the covers are very worn (as seen in the photos). What an interesting piece of history, and great genealogical tool! Happy Bidding!

Antique Hallmarked Dutch Sterling Silver Heart Locket Pendant Cherub Crown

January 8, 2015 by Estate Auctions Inc.

Hallmarked Dutch Sterling Silver Heart Locket Pendant~Cherub~Crown

Hallmarked Dutch Sterling Silver Heart Locket Pendant~Cherub~Crown

Antique Hallmarked Dutch Sterling Silver Heart Locket Pendant~Cherub~Crown
Ending January 16, 2015 10:12PM EST http://yqz.me/AntiqueLocket
An absolutely gorgeous, nineteenth century solid silver hallmarked (we believe to be Dutch or possibly French) large, ornate hinged heart pendant or pill box with beautifully embossed repousse work on both the front & back, to include – a winged angel face, an un-monogrammed cartouche and a crown pediment composed of reticulated & embossed leaves. It measures an impressive 3-5/16” high overall (to the top of the ring) x 2-3/8” wide x 7/8” deep and weighs 42.8 grams. The heart is hinged on the back and opens to reveal a compartment which could be used as a pill box. There is a touchmark/hallmark on the front rim (worn from age & use) which appears to be a stylized leaf (?) and a sideways letter G (see close-up). The condition is excellent with no dings, bends, breaks, touch-ups or repairs, only light surface wear to the patina from gentle use. Very fine quality and beautifully made with lovely detail work. A fabulous antique silver box that’s a pendant which can be worn around the neck. It’s fresh from a home on Maryland’s Lower Eastern Shore.

Original Stephen Hickman Oil/Canvas Unicorn Painting Science Fiction Fantasy Art

December 27, 2014 by Estate Auctions Inc.

ORIG Stephen Hickman Oil/Canvas Unicorn Painting Science Fiction Fantasy Art Done Covers For Heinlein Niven Pournelle McCaffrey etc.
Ending January 5, 2015 9:50PM http://yqz.me/Stephen_Hickman

Up in this auction is an amazing piece, an original Stephen Hickman oil on canvas of a fierce Unicorn. Stephen Hickman is a Science Fiction and Fantasy Illustrator artist. The painting is monogrammed and dated 1980 in the lower right and measures approx. 30″ across. Truly a stunning piece by a master award winning listed artist.

We found the following information on his site stephenhickman (Great Site!):

ORIG Stephen Hickman Oil/Canvas Unicorn Painting Science Fiction Fantasy Art Done Covers For Heinlein Niven Pournelle McCaffrey etc.

ORIG Stephen Hickman Oil/Canvas Unicorn Painting Science Fiction Fantasy Art Done Covers For Heinlein Niven Pournelle McCaffrey etc.

Stephen Hickman has been illustrating science fiction and fantasy for three decades. His work is inspired by the masters of fantasy and science fiction writing — J.R.R. Tolkien, H.P. Lovecraft, A. Merritt, Edgar Rice Burroughs and Clark Ashton Smith.

His illustrations have been used as cover work for many contemporary writers: Stephen Brust, Hal Colbatch, Tom Cool, Gordon Dickson, David Drake, Harlan Ellison, Robert Heinlein, Anne McCaffrey, Larry Niven, Andre Norton, Jerry Pournelle, and Steve Stirling among others.

Hickman’s work has earned him critical acclaim, including a World Science Fiction Convention’s Hugo Award and 5 Chesley Awards from the Association of Science Fiction and Fantasy Artists.

Since 1976 Hickman has illustrated over 400 covers for Ace, Baen, Ballantine, Bantam, Berkeley, Dell, Del Rey, Doubleday, Phage Press, Tor, Warren Publications and others.

In 1988 Hickman wrote The Lemurian Stone (Ace Books), which formed the basis for his Pharazar Mythos illustrations, The Lion Pavillion, is one example, and is also reproduced along with The Archers, in the 1994 edition of Spectrum.

In 1994 he was awarded a Hugo Award from the World Science Fiction Convention for the United States Postal Service’s Space Fantasy Commemorative Booklet of stamps, the first official recognition by the government of the SF genre.

In 1996, Hickman created the Cthulhu statuette inspired by an earlier cover illustration done for H.P. Lovecraft’s story The Call of Cthulhu (Baen Books). The statuette was produced and distributed by Bowen Designs. A second edition is now available, as well as a bust of H.P. Lovecraft himself.

14th Century Vellum Mass Antique Mediaeval Antiphonal Page Illuminated

December 17, 2014 by Estate Auctions Inc.

14th Century Vellum Mass Antique Mediaeval Antiphonal Page Illuminated Italian or Croatian 1350-1400 Starting December 18, 2014 18:38:01 PST
http://yqz.me/Mediaeval_Antiphonal

Description composed by world renowned Asian expert & appraiser, Mr. Anthony Lee. His bio is below. Up in this auction is an antique (14th Century circa 1350 to 1400) mediaeval antiphonal page, vellum. Probably Italy or Croatia, ca 1350 – 1400.
It is the ordo of the mass section. in remissiónem peccatorum. Et expecto resurrectionem mortuorum, et vitam ventúri sæculi. Amen.

Antique Mediaeval Antiphonal Page Illuminated Italian or Croatian 1350-1400 yqz 14th Century Vellum Mass Section Nicaen/Apostles Creed

Antique Mediaeval Antiphonal Page Illuminated Italian or Croatian 1350-1400 yqz
14th Century Vellum Mass Section Nicaen/Apostles Creed


Translates to: The forgiveness of sins, the resurrection of the body, and life everlasting. Amen.
It is the end of the Apostles or Nicaen Creed (CREDO)
And then going into the SANCTUS
“Holy Holy Holy lord, God of Power and might” – the start of 2 Sanctus at the bottom.
Antiphonal are huge pages from large books of the order of the mass large enough to be visible by a large number of choir members from one lectern traditionally in the choir section of the church.

It measures approx. 12 1/2″ x 18 3/4″ for the visible, matted, glazed and framed approx. 19 1/4″ x 26″.

Antique Scientific Equipment Laboratory Vacuum Pump Bell Jar Scientific Hobunkwan

December 14, 2014 by Estate Auctions Inc.

Antique Scientific Equipment Laboratory Vacuum Pump Bell Jar Scientific Hobunkwan Auction Ending 12/22/14 http://yqz.me/Hobunkwan

Antique Scientific Equipment  Laboratory Vacuum Pump Bell Jar Scientific Hobunkwan

Antique Scientific Equipment Laboratory Vacuum Pump Bell Jar Scientific Hobunkwan

Early 1900’s, mahogany and brass single arm vacuum pump with a name plate for Hobunkwan, Osaka. It has a mahogany base board situated on mahogany feet. It has a turned column for the iron pump arm and a brass piston casing. A series of tubes feeds to a 8 1/2″ diameter brass plate with a frosted glass top. It has a hand-blown glass bell jar with lots of bubbles. There is a hook inside of the dome, also made of glass. It measures at approx. 29 1/2″ tall x 28 1/2″ long x 9 3/4 deep. This is a solid, heavy piece. There are places of wood rubbing, mahogany wood chipping, and wear on the metals and cast iron handle. Oxidation and signs of well use on the brass piston casing. The glass bell jar is in great condition. Please make sure to check all of our photos. Overall nice antiquated laboratory equipment. Happy Bidding.

Antique Mills Five Cent Spearmint Gum Gambling Gooseneck Slot Machine

December 14, 2014 by Estate Auctions Inc.

Antique Mills Five Cent Spearmint Gum Gambling Gooseneck Slot Machine Ending 12/22/14 http://yqz.me/antiqueSlotMachine

Antique Mills Five Cent Spearmint Gooseneck Slot Machine numbered 55297. We do not claim to be experts in slot machines so we will share with you what we know. Set on a wooden base, this slot machine functions when we placed a nickle in the slot and pull the lever. So cool! Along the front of the machine it lists all of the different combinations you can get with the different types of gum symbols. Embossed along the front is a bell with

EARLY Antique Mills Five Cent Spearmint Gum Gambling Gooseneck Slot Machine

WORKS! EARLY Antique Mills Five Cent Spearmint Gum Gambling Gooseneck Slot Machine

1776 and a small owl. We are missing the back cover and the wooden base has losses to the front. There is paint loss on the machine and the inside is in need of a good cleaning with some oxidation to the metal. It measures approx. 24″ tall by 14″ wide. Be sure to see all our photos for specifics. A great piece to leave as-is or to restore! We just love it! HAPPY BIDDING!!

Mills Novelty Company from wiki:

The Mills Novelty Company, Incorporated of Chicago, Illinois was once a leading manufacturer of coin operated machines, including slot machines, vending machines, and jukeboxes, in the United States. Between about 1905 and 1930, the company’s products included the Mills Violano-Virtuoso and its predecessors, celebrated machines that automatically played a violin and, after about 1909, a piano. By 1944 the name of the company had changed to Mills Industries, Incorporated. The slot machine division was then owned by Bell-O-Matic Corporation. By the late 1930s, vending machines were being installed by Mills Automatic Merchandising Corporation of New York.

Fabulous Line Up of Currier & Ives Hand Painted Lithographs

December 14, 2014 by Estate Auctions Inc.

At a recent Estate Sale we came across a HUGE collection of Currier & Ives lithographs; an amazing attic find to say the least. We are offering up this veritable mountain of treasures in separate auction for you bidding pleasure. GOOD LUCK and HAPPY BIDDING! http://yqz.me/Currier&IvesHandPaintedLithographs

Currier & Ives Lithograph Mama's Pet

Titled: Mama’s Pet
Publication Date: 1857-1872
Published by: Currier & Ives: 152 Nassau Street NY
Size: Medium folio 9 1/4 x 13 5/8″
Frame: Original period frame crafted with square nails and wavy glass with bubbles
Size with frame: 13 5/8 x 16 5/8″


Your inquiries are welcome!

For those not familiar with Currier & Ives or perhaps just curious about them, here is a little history from Wikipedia:

Currier and Ives was a successful American printmaking firm headed by Nathaniel Currier (1813–1888) and James Merritt Ives (1824–1895). Based in New York City from 1834–1907, the prolific firm produced prints from paintings by fine artists as black and white lithographs that were hand colored. Lithographic prints could be reproduced quickly and purchased inexpensively, and the firm called itself “the Grand Central Depot for Cheap and Popular Prints” and advertised its lithographs as “colored engravings for the people.”

The name Currier & Ives first appeared in 1857, when Currier invited James Merritt Ives (1824–95), the company’s bookkeeper and accountant, to become his partner. James Merritt Ives, who was born on March 5, 1824 in New York City, married Caroline Clark in 1852. She was the sister-in-law of Nathaniel’s brother, Charles Currier, and it was Charles who recommended James Ives to his brother. Nathaniel Currier soon noticed Ives’s dedication to his business and his artistic knowledge and insight into what the public wanted. The younger man quickly became the general manager of the firm, handling the financial side of the business by modernizing the bookkeeping, reorganizing inventory, and streamlining the print process. Ives also helped Currier interview potential artists and craftsmen. The younger man had a flair for gauging popular interests and aided in selecting the images the firm would publish and expanding the firm’s range to include political satire, and sentimental scenes such as sleigh rides in the country and steamboat races. In 1857, Currier made Ives a full partner.

Titled: My Little White Kitties  Publication Date: 1857-1872  Published by: Currier & Ives: 152 Nassau Street NY Size: Medium folio 13 3/4 x 9 1/4"

Titled: My Little White Kitties
Publication Date: 1857-1872
Published by: Currier & Ives: 152 Nassau Street NY
Size: Medium folio 13 3/4 x 9 1/4″

The firm Currier and Ives described itself as “Publishers of Cheap and Popular Prints”. At least 7,500 lithographs were published in the firm’s 72 years of operation. Artists produced two to three new images every week for 64 years (1834–1895), producing more than a million prints by hand-colored lithography. For the original drawings, Currier & Ives employed or used the work of many celebrated artists of the day including J.F. Butterworth, George Inness, Thomas Nast, C.H. Moore, and Eastman Johnson. The stars of the firm were Arthur Fitzwilliam Tait, who specialized in sporting scenes; Louis Maurer, who executed genre scenes; George H. Durrie, who supplied winter scenes; and Fanny Palmer, who liked to do picturesque panoramas of the American landscape, and who was the first woman in the United States to make her living as a full-time artist. All lithographs were produced on lithographic limestone printing plates on which the drawing was done by hand. A stone often took over a week to prepare for printing. Each print was pulled by hand. Prints were hand-colored by a dozen or more women, often immigrants from Germany with an art background, who worked in assembly-line fashion, one color to a worker, and who were paid $6 for every 100 colored prints. The favored colors were clear and simple, and the drawing was bold and direct.

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