December 2014

 

 

Keeping you updated with news and information from the world of antiques, vintage and collectibles, so please come and visit often!

14th Century Vellum Mass Antique Mediaeval Antiphonal Page Illuminated 14th Century Vellum Mass Antique Mediaeval Antiphonal Page Illuminated 14th Century Vellum Mass Antique Mediaeval Antiphonal Page Illuminated

14th Century Vellum Mass Antique Mediaeval Antiphonal Page Illuminated

Antiques

14th Century Vellum Mass Antique Mediaeval Antiphonal Page Illuminated

Vintage

14th Century Vellum Mass Antique Mediaeval Antiphonal Page Illuminated

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14th Century Vellum Mass Antique Mediaeval Antiphonal Page Illuminated

December 17, 2014 by Estate Auctions Inc.

14th Century Vellum Mass Antique Mediaeval Antiphonal Page Illuminated Italian or Croatian 1350-1400 Starting December 18, 2014 18:38:01 PST
http://yqz.me/Mediaeval_Antiphonal

Description composed by world renowned Asian expert & appraiser, Mr. Anthony Lee. His bio is below. Up in this auction is an antique (14th Century circa 1350 to 1400) mediaeval antiphonal page, vellum. Probably Italy or Croatia, ca 1350 – 1400.
It is the ordo of the mass section. in remissiónem peccatorum. Et expecto resurrectionem mortuorum, et vitam ventúri sæculi. Amen.

Antique Mediaeval Antiphonal Page Illuminated Italian or Croatian 1350-1400 yqz 14th Century Vellum Mass Section Nicaen/Apostles Creed

Antique Mediaeval Antiphonal Page Illuminated Italian or Croatian 1350-1400 yqz
14th Century Vellum Mass Section Nicaen/Apostles Creed


Translates to: The forgiveness of sins, the resurrection of the body, and life everlasting. Amen.
It is the end of the Apostles or Nicaen Creed (CREDO)
And then going into the SANCTUS
“Holy Holy Holy lord, God of Power and might” – the start of 2 Sanctus at the bottom.
Antiphonal are huge pages from large books of the order of the mass large enough to be visible by a large number of choir members from one lectern traditionally in the choir section of the church.

It measures approx. 12 1/2″ x 18 3/4″ for the visible, matted, glazed and framed approx. 19 1/4″ x 26″.

Antique Scientific Equipment Laboratory Vacuum Pump Bell Jar Scientific Hobunkwan

December 14, 2014 by Estate Auctions Inc.

Antique Scientific Equipment Laboratory Vacuum Pump Bell Jar Scientific Hobunkwan Auction Ending 12/22/14 http://yqz.me/Hobunkwan

Antique Scientific Equipment  Laboratory Vacuum Pump Bell Jar Scientific Hobunkwan

Antique Scientific Equipment Laboratory Vacuum Pump Bell Jar Scientific Hobunkwan

Early 1900’s, mahogany and brass single arm vacuum pump with a name plate for Hobunkwan, Osaka. It has a mahogany base board situated on mahogany feet. It has a turned column for the iron pump arm and a brass piston casing. A series of tubes feeds to a 8 1/2″ diameter brass plate with a frosted glass top. It has a hand-blown glass bell jar with lots of bubbles. There is a hook inside of the dome, also made of glass. It measures at approx. 29 1/2″ tall x 28 1/2″ long x 9 3/4 deep. This is a solid, heavy piece. There are places of wood rubbing, mahogany wood chipping, and wear on the metals and cast iron handle. Oxidation and signs of well use on the brass piston casing. The glass bell jar is in great condition. Please make sure to check all of our photos. Overall nice antiquated laboratory equipment. Happy Bidding.

Antique Mills Five Cent Spearmint Gum Gambling Gooseneck Slot Machine

December 14, 2014 by Estate Auctions Inc.

Antique Mills Five Cent Spearmint Gum Gambling Gooseneck Slot Machine Ending 12/22/14 http://yqz.me/antiqueSlotMachine

Antique Mills Five Cent Spearmint Gooseneck Slot Machine numbered 55297. We do not claim to be experts in slot machines so we will share with you what we know. Set on a wooden base, this slot machine functions when we placed a nickle in the slot and pull the lever. So cool! Along the front of the machine it lists all of the different combinations you can get with the different types of gum symbols. Embossed along the front is a bell with

EARLY Antique Mills Five Cent Spearmint Gum Gambling Gooseneck Slot Machine

WORKS! EARLY Antique Mills Five Cent Spearmint Gum Gambling Gooseneck Slot Machine

1776 and a small owl. We are missing the back cover and the wooden base has losses to the front. There is paint loss on the machine and the inside is in need of a good cleaning with some oxidation to the metal. It measures approx. 24″ tall by 14″ wide. Be sure to see all our photos for specifics. A great piece to leave as-is or to restore! We just love it! HAPPY BIDDING!!

Mills Novelty Company from wiki:

The Mills Novelty Company, Incorporated of Chicago, Illinois was once a leading manufacturer of coin operated machines, including slot machines, vending machines, and jukeboxes, in the United States. Between about 1905 and 1930, the company’s products included the Mills Violano-Virtuoso and its predecessors, celebrated machines that automatically played a violin and, after about 1909, a piano. By 1944 the name of the company had changed to Mills Industries, Incorporated. The slot machine division was then owned by Bell-O-Matic Corporation. By the late 1930s, vending machines were being installed by Mills Automatic Merchandising Corporation of New York.

Fabulous Line Up of Currier & Ives Hand Painted Lithographs

December 14, 2014 by Estate Auctions Inc.

At a recent Estate Sale we came across a HUGE collection of Currier & Ives lithographs; an amazing attic find to say the least. We are offering up this veritable mountain of treasures in separate auction for you bidding pleasure. GOOD LUCK and HAPPY BIDDING! http://yqz.me/Currier&IvesHandPaintedLithographs

Currier & Ives Lithograph Mama's Pet

Titled: Mama’s Pet
Publication Date: 1857-1872
Published by: Currier & Ives: 152 Nassau Street NY
Size: Medium folio 9 1/4 x 13 5/8″
Frame: Original period frame crafted with square nails and wavy glass with bubbles
Size with frame: 13 5/8 x 16 5/8″


Your inquiries are welcome!

For those not familiar with Currier & Ives or perhaps just curious about them, here is a little history from Wikipedia:

Currier and Ives was a successful American printmaking firm headed by Nathaniel Currier (1813–1888) and James Merritt Ives (1824–1895). Based in New York City from 1834–1907, the prolific firm produced prints from paintings by fine artists as black and white lithographs that were hand colored. Lithographic prints could be reproduced quickly and purchased inexpensively, and the firm called itself “the Grand Central Depot for Cheap and Popular Prints” and advertised its lithographs as “colored engravings for the people.”

The name Currier & Ives first appeared in 1857, when Currier invited James Merritt Ives (1824–95), the company’s bookkeeper and accountant, to become his partner. James Merritt Ives, who was born on March 5, 1824 in New York City, married Caroline Clark in 1852. She was the sister-in-law of Nathaniel’s brother, Charles Currier, and it was Charles who recommended James Ives to his brother. Nathaniel Currier soon noticed Ives’s dedication to his business and his artistic knowledge and insight into what the public wanted. The younger man quickly became the general manager of the firm, handling the financial side of the business by modernizing the bookkeeping, reorganizing inventory, and streamlining the print process. Ives also helped Currier interview potential artists and craftsmen. The younger man had a flair for gauging popular interests and aided in selecting the images the firm would publish and expanding the firm’s range to include political satire, and sentimental scenes such as sleigh rides in the country and steamboat races. In 1857, Currier made Ives a full partner.

Titled: My Little White Kitties  Publication Date: 1857-1872  Published by: Currier & Ives: 152 Nassau Street NY Size: Medium folio 13 3/4 x 9 1/4"

Titled: My Little White Kitties
Publication Date: 1857-1872
Published by: Currier & Ives: 152 Nassau Street NY
Size: Medium folio 13 3/4 x 9 1/4″

The firm Currier and Ives described itself as “Publishers of Cheap and Popular Prints”. At least 7,500 lithographs were published in the firm’s 72 years of operation. Artists produced two to three new images every week for 64 years (1834–1895), producing more than a million prints by hand-colored lithography. For the original drawings, Currier & Ives employed or used the work of many celebrated artists of the day including J.F. Butterworth, George Inness, Thomas Nast, C.H. Moore, and Eastman Johnson. The stars of the firm were Arthur Fitzwilliam Tait, who specialized in sporting scenes; Louis Maurer, who executed genre scenes; George H. Durrie, who supplied winter scenes; and Fanny Palmer, who liked to do picturesque panoramas of the American landscape, and who was the first woman in the United States to make her living as a full-time artist. All lithographs were produced on lithographic limestone printing plates on which the drawing was done by hand. A stone often took over a week to prepare for printing. Each print was pulled by hand. Prints were hand-colored by a dozen or more women, often immigrants from Germany with an art background, who worked in assembly-line fashion, one color to a worker, and who were paid $6 for every 100 colored prints. The favored colors were clear and simple, and the drawing was bold and direct.

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